Disappointments:
Theme
Dialogue
Lack of comedy
Lack of emotion quotient
Characterizations
Final Analysis:
The fundamental blunder in the film is that when speaking about love it should be run on emotions and feeling but not on calculation. To make things worse, Baskar tries to explain the calculation with his own narrative style which was rather confusing. He had something noble and different in mind but he could not conceive it in the right manner on the screen. There is no emotion, no romance, no chemistry between the lead pair, no sentiment and above all, no comedy. At one stage, it becomes like a boring mathematics class where the audience have become students and are trying to understand what Professor Bhaskar is trying to explain on the love algorithm.
The other disappointment is the philosophy on love. While it is nice to have an ocean full of love, it is common sense that love alone is not life. They are two different entities and the essence of life is in striking a balance between both. Fortunately, what Baskar was trying to say ended up confusing many in the theatre but to those who may have understood a fraction of it, this is truly dangerous. On the other hand, there are quite a number of instances where Bhaskar tried to take the route of Gautam Menon but the difference is chalk and cheese.
The good side of the film is the songs and their picturization which was really impressive and visually appealing. Charan’s efforts in songs were commendable. The fight sequence which involves the spray cans was also creative and colorful. As for his much hyped sky diving stunt, that is not so appealing as expected.
Overall, the film is good on presentation but very poor in content and completely blotched on narration and concept. While the masses have nothing in it, the class audience will feel like they are in a classroom. And regarding the mega fans…well, it looks like 2010 is just not their year as their favorite heroes seem to be dealing with unconventional characters.
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Genelia Photo Gallery
Movie: Orange
My Rating: 2/5
Banner: Anjana Productions
Music: Harris Jayaraj
Cinematography: Rajasekhar, Kiran
Editing: Marthand K Venkatesh
Producer: Naga Babu
Story,Screenplay & Direction: Baskar
Cast: Ramcharan Tej, Genelia, Shahzahn Padamsee, Prakashraj, Prabhu, Brahmi, Srinivas Avasarala, Madhurima, Manjula, Sanjay, Sameer, Pavitra Lokesh, Vennela Kishore, Sanchita, Naga Babu etc
Release Date: 26th Nov 2010
Review
Story
Set on the backdrop of Australia, Ram (Ramcharan) is an youngster who loves graffiti but he doesn’t believe in love for lifetime. He wants to say truth all the while with respect to love life and live with open mind, open thought and open action with his partner.
This leads to a clash of ideology with Jaanu (Genelia) who studies in the same college and what starts out as a romantic tale between them both turns out to be a relationship of confusion and complications. Telugu Movie Reviews
Ram explains this entire story as his flash back while a police cop (Prakash Raj) asks him as a part of informal interrogation (!)
Jaanu believes in everlasting love but given the thought process of Ram, will they be together? Can they really love each other? All this forms the rest of the story.
Artists Performance:
Ramcharan did his best to fit the lover boy tag and he was neat in his dance and dialogue delivery. Two things he must avoid- a clean shave and full body shots while in a group. There was no emotional depth in his character so his body language was average.
Genelia was depressing and disappointing. Her costumes were bizarre, the make up was patchy and her face looked blotted. She has lost the innocence and charm. Perhaps it is age but the blame also goes to the styling and her image etching. Performance wise, she was regular and didn’t have any special acts.
Shahzahn comes like a breath of fresh air and though she was brief, she looks cute and attractive. She has the potential to take lead roles.
Prakashraj was regular, Brahmi’s comedy was not upto the mark, Prabhu and Pavitra Lokesh were alright, Vennela Kishore was wasted, Madhurima was quick but sweet, Naga Babu made his presence felt. The others didn’t have much to offer except filling the screens and rolling out few lines.
Highlights:
Songs (although no much variety among each other)
Dances by Ram Charan
Production Values
Here's what fan of Mohan Babu and also a film artiste cum mimicry artiste(goutham SSC fame), Abhinaya Krishna says.
I am a very big fan of MOHAN BABU and I always supported him.
I even supported Mohan Babu when there was a controversy in VAJROTSAVALU.
But now when the point is clear that Chiru has not done anymistake and he is undergooing lot of pain, I couldn't stop myself as a human being. I wish no father in the world should face the problem which Chiru is facing now.
Chiru would have undergone many mental tensions and he solved it but when a part of the body ditches you then the pain will be more.
If some one had given pain to Chiru then he wouldn't have felt so bad but his own blood harmed him this time in the form of daughter.
shirish and Srija say that they love each other and they don't worry about Chiru's image.
They want a written statement from Chiru saying he won't harm the couple.
In my opinion a child who doesn't care about her dad's respect is a deadbody. So i don't think Chiru stoops down to harm a dead body and he doesn't need any thing in return from that.Srija should know this.
AS they asked Chiru to give a written statement that he wont harm them so in the same way can they give a written statement saying, SRIJA& SHIRISH DON'T NEED A SINGSLE PIE FROM CHIRU's PROPERTY.
They can't do it because Shirish has married Srija only for her money but not looking at her beauty. Hope she will realize it soon but what's the use till then everything will be lost.
Original Name: Siva Sankar Var Prasad Konidela
Nick Nmes: Chiru Mega star
Chiranjeevi was born on 22 August 1955 at Narasapur, Andhra Pradesh, India
He was a student of the famous Madras Film Institute and later became a profesional film star. His first public performance was in a Government parade ballet at the Republic Day celebrations on January 26,1976
He started his professional career the film"Pundadhirallu" in 1978. Though Punadhirallu was his
debu, his first seccess came up with a negative role in the film Intilo Ramayya Vidhilo Krishnayya which was released in the year 1981
HIs roles in movies such as Abilasha,Adavidongs Chatabbayi Challenge Gang Leader Master Kondaveeti Donga Kodama Simham Idra Tagore etc. were all block busters in Tollywood. Chiranjeevi is't just limited to Tolywood. He made foray into Hindi movies where he earned considerable fame. His lead role in Pratibandh released in 1990 made him popular in Bollywood.
He is married to Konidela Surekha on Febuary 20,1980 and is blessed with two daughters Susmita and Sirija,and one son Ramcharan Teja. His brothers Nagendrea Babu and Pawan Kalyan are both into movies aswell. Nagendra Babu is an actor and a succesfull producer while his second brother pawan kalyan has turned up as a successfull actor in a vey short span.
HIs brother-in-law Allu Araving is a producer and his Father-in-law is a veteran actor is Allu RAmalingaiah.
Chiranjeevi is the founder of the Chiranjeevi charitable Trust, which is the state's largest recipient of Eye and Blood Donations.
with teh help of Chiranjeevi Charitable Trust, whichis the states largest recipient of Eye and Blood Donations.
With the help of Chiranjeevi Charitable Trust more than 20,000 people have donated blood and more than 10 lakh people have pledged their eyes. Chiranjeevi also assists people for medical expenses in genuine cases.
Vishal became a star in Telugu overnight with the success of his dubbed films Pandem Kodi and Pogaru His latest film Bharani the dubbed version of his Tamil hit film Tamara Bharani directed by Gari bagged a hit talk with a good mass appeal.
Moreover the film has mixed flavour with several elements like love. facton, revenge and sentiment The director showed good grip all through the film as it was powered with a powerful screenplay and Vishal was portrayed in a wasy to highlight his mass imagge. The hereo too shoewed maturad performance.
Bharani prasad@ Bharani and his mother stay with Bharani's matarnal uncle Srinivasa Bhupati salt Sreenu and grand mother Bharani is fonf of his uncle and does not spare anyone who speaks against him.PVR company is an archrival for Salt Sreenu.Bharani Happens to meet Bhanu and the latter falls in love with bharani though the latter ibnor her Bharani comes to know that Bhanu Sakuntala's daughter. Once Bhanu goes to meet Bharani at a loney place in an island and the coastguard cathces both of them and charge them with prostitution in revenge Veerinaidu attacs SAlt SReenu and this irks Bharani
However,Madhumati scores low in a subject and gets a negative feedback from her professor. Simply to focus on her studies, she scoms Bunny and drives him out of the house. Madhumathi then focuses on her studies and achieves her MBBS dipoma with honors. On the day of her graduation she admits to her friend that she is indeed in love with Bunny.Her friend reveals to her that Bunny risked his life to pay for college tuition by doing dangerous stunts but told her not to tell Madhumati and taht he was is leaving back to Vizag that day. With regret, Madhumati tries to reconcile with Bunny and goes to meet him at the train station ON the way there she gets couht by a road block set up by a police man who is her father's archnemesis.
Happy is a 2006 Indian Telugu romance film directed by A.Karunakaran.The film stars Allu Arjun,Genelia and Manoj Bajpai inlead roles, music was scored by Yuvan Shankar Raja The film a remake of the 2004 Tamil film Azhagiya Theeya direced RAdha Mohan was produced by allu aravind and released on 27 January 2006 .Upon release the film was dubbed into Malayalam and releeased with the title "Happy be Happy"
Madhumati(Genelia) is the daughter of a politician who turns out to be a martinet at home with his attachment on power. He affirms that the behavior of his daughter would influence on his caste politics. Hence he keeps on astaining her from continuing her MBBS as she goes to college and moves with friends of different mentalities. Houwever,Madhumathi,comes to third year of medicine by maintaining her dignity and without involving in any affairs of love Her focus is completely on studies. Once, she goes for a medical camp along with her class mates to Arakeu. She meets Bunny(Allu Arjun) randomly in the woods nearby the medical camp. The starts with his funny and playful encounters with Madhumathi.
However Bunny comes to Hyderabad and joins in a Pizza Shop as a delivery boy and continues his MBA by attending evening classes. In an incident, Madhumathi's father doubts that his daughter is dating somene and comes to believe that its none other then Bunny Hence he decides to get her married to a person of his own caste who settled in atop position . He is Manoj Bajpai, The Deputy Commissioner of Police.
Madhumati is more attached to her studies than marriage. She goes to Bunny and places the blame on him saying that he would be the reason for hr suicide should she get forcibly getting married Knowing taht, Bunny plans to stop the marriage and meets the DCP. Bunny lies to him and convince teh DCP that he is in with Madhumati in a Registered Marriage. He also gives his new flat for the couple to live in.Madhumathi becomes estranged from her family and in another series of events ends up lives with Bunny THroughout their times together various mishaps and comedic events happen and Bunny ends u falling for Madhumati. Being separated from her family Madhumathi has no way of paying for fees and one day expresess this to Bunny. Bunny gets into film industry as a stunman taking high risk to his life to pay the semester of Madhumathi's MBBS.
Uday(Siddartha) is the son of a rich industrialist. He has lost his mother and his father is too busy with his bussiness empire to spare any time for his son.Siddarth seeks soace in the company of friend and enjoys life without a care in the world.
Sandhya(Shamili) on the other hand is an exact opposite of Uday. She is simple, god fearing,hard working,meticulous,far sightedetc,etc,Uday falls in lofe with her at first sight. Sandhya ignore himk as she finds him to be exactly opposite her in all things.
Uday them begins the game to woo her, He manages to enter Sandhya's house as a paying guest and acts as as if he is from hucble origins,Uday tries really hard to impress Sandhya and when he is just about to succeed in his mission; Uday hears a very bad news.
The bad news is that Sandhya is suffering from cancer and it is now in a very advanced stage, Uday's uncle(Napoleon) who is a doctor asks Uday to keep her parents and trandmother in Ganga. The two have a rollicking time in the one week that they spend together on the trip to Kasi.
They return home and Sandhya falls sick. She is rushed to the hospital, Will Sandhya respond to the treatment and will she survive? This is the suspense element and it should be watched on the screen.
INTRODUCTION:
When is an actor also a star? What is the relationship between performance and stardom? What stake does the star hold in the processes of film production? is there a difference between stardom and celebrity? And why are film stars so fascinating and alluring to us? These are some of the questions that will be addressed in this section.Yet,while these questions have always proved troubling to riorous academic scrutiny as we enter into cinema's third century in the all-consuming context of hypermediated cultur,the answers to such questions become even more complex.
Star As Commodity:
Until recently there were three principal ways in which critics adressed the question of stardom. The first locates the star within the economic contexs of film production and film marketing. During the ara of the studio system, in which creative and ttechnical personnel were tiled to long-term contracts, stars provided one of the principal means by which Hollywood offered audiences guarantees of predictability by embodying a set of particular expectations and by extension particular kinds of pleasure Since the collapse of the studio system in the 1950 stars have become arguably the key element of the package around which movies are produced. Suan Hayward explains that producers will put up money for films that outherwise might not get off the ground Moreover enen a cursory glance at the promotional material surrounding a film's lauvch-paosters traillers, interviews in print, on TV and online as well as a host of further merchandising products-reveals the considerable stake stars hold in announcing its presence and generating an audience of suffient sixe to recoup costs. On this account then the star is understood as a speific form of industrial commodity insofar as like genre stars are a mechanism for selling movie tickets by guaranteeing certain pleasures and enaciting a commercial strategy for marketing films However a star's commercial capacity is inxtracably bound up with their ablity to be liked by large amounts of people from a range of cultural and national conexts The ramaining two aproaches to studying stars are sensitive to these more social and psychic aspects of stardom inasmuch as they turn away from industrial questions focusing instead on the ways in which the figure of the film star generates specific meanings and pleasures.
